domingo, 1 de março de 2020

Unsealing of Vatican archives will finally reveal truth about ‘Hitler’s pope’



Unsealing of Vatican archives will finally reveal truth about ‘Hitler’s pope’

Historians can now pore over secret files from the papacy of Pius XII, who has long faced accusations of being a Nazi sympathiser

Harriet Sherwood
 @harrietsherwood
Sun 1 Mar 2020 06.33 GMTLast modified on Sun 1 Mar 2020 08.17 GMT

New light will be shed on one of the most controversial periods of Vatican history on Monday when the archives on Pope Pius XII – accused by critics of being a Nazi sympathiser – are unsealed.

A year after Pope Francis announced the move, saying “the church isn’t afraid of history”, the documents from Pius XII’s papacy, which began in 1939 on the brink of the second world war and ended in 1958, will be opened, initially to a small number of scholars.

Critics of Pius XII have accused him of remaining silent during the Holocaust, never publicly condemning the persecution and genocide of Jews and others. His defenders say that he quietly encouraged convents and other Catholic institutions to hide thousands of Jews, and that public criticism of the Nazis would have risked the lives of priests and nuns.

 “The opening of the archives is decisive for the contemporary history of the church and the world,” said Cardinal José Tolentino Calaça de Mendonça, the Vatican’s archivist and librarian last week.

Bishop Sergio Pagano, the prefect of the Vatican Apostolic Archive, said scholars would have to make a “historical judgment”. He added: “The good [that Pius did] was so great that it will dwarf the few shadows.” Evaluating the millions of pages in the archives would take several years, he said.

More than 150 people have applied to access the archives, although only 60 can be accommodated in the offices at one time. Among the first to view the documents will be representatives of the Jewish community in Rome, and scholars from Yad Vashem, Israel’s Holocaust museum, and the United States Holocaust Memorial Museum.

David Kertzer, an American expert on the relationship between the Catholic church and fascism, who will begin examining the papers this week, said there were “signs of nervousness” at the Vatican about what would emerge from the archives. The Vatican archives would provide an “immense amount of fresh material from many millions of pages”, he told the Observer.

“On the big question, it’s clear: Pius XII never publicly criticised the Nazis for the mass murder they were committing of the Jews of Europe – and he knew from the very beginning that mass murder was taking place. Various clerics and others were pressing him to speak out, and he declined to do so.

“Although there is a lot of testimony showing that the church did protect Jews in Rome, when more than 1,000 were rounded up on 16 October 1943 and held for two days adjacent to the Vatican [before deportation to the death camps], Pius decided not to publicly protest or even privately send a plea to Hitler not to send them to their deaths in Auschwitz. Hopefully, what we’ll find from these archives is why he did what he did, and what discussions were going on behind the walls of the Vatican.”

Mary Vincent, professor of modern European history at Sheffield University, said that much of the criticism of Pius Xll lacked nuance. “He was a careful, austere and quite unlikable man, trying to steer a path through almost impossible circumstances. He had clear views about what he saw as the threat of Soviet communism, and his view of Italian fascism was quite a bit softer. But categorising him as good or bad is not helpful – it’s about the decisions he took, and the space he had to make those decisions.”

Pius – whose birth name was Eugenio Pacelli – was Vatican secretary of state under his predecessor, Pope Pius XI, and a former papal nuncio, or envoy, to Germany. In 1933, he negotiated a concordat between the Catholic church and Germany. After he was elected pope, six months before the outbreak of war, the Vatican maintained diplomatic relations with the Third Reich, and the new pontiff declined to condemn the Nazi invasion of Poland on 1 September 1939.

In December 1942, Pius XII spoke out in general terms about the suffering of the Jews, although he had known for several months about the Nazi extermination plans. In 1943, he wrote to the bishop of Berlin, arguing that the church could not publicly condemn the Holocaust for fear of causing “greater evils”.

Hitler’s Pope, a controversial biography of Pius XII by British author John Cornwell, published in 1999, claimed the pope was an antisemite who “failed to be gripped with moral outrage by the plight of the Jews”. He was also narcissistic and determined to protect and advance the power of the papacy, the book argued. Pius XII was “the ideal pope for Hitler’s unspeakable plan. He was Hitler’s pawn. He was Hitler’s Pope.”

Cornwell’s claims were challenged by some scholars and authors. He later conceded that Pius XII had “so little scope of action that it is impossible to judge the motives for his silence during the war”, although the pontiff had never explained his stance.

In 2012, Yad Vashem changed the wording on an exhibit on Pius XII’s papacy, from he “did not intervene” to he “did not publicly protest”. The new text acknowledged different assessments of the pope’s position and Yad Vashem said it “look[ed] forward to the day when the Vatican archives will be open to researchers so that a clearer understanding of the events can be arrived at”.

Pope Benedict, Francis’s predecessor, declared in 2009 that Pius XII had lived a life of “heroic” Christian virtue, a step towards possible sainthood. But in 2014, Francis said no miracle – a prerequisite for beatification, the final step to canonisation – had been identified. “If there are no miracles, it can’t go forward. It’s blocked there,” Francis said after visiting Yad Vashem. Last year, Francis said Pius XII had led the church during one of the “saddest and darkest periods of the 20th century”. He added that he was confident that “serious and objective historical research will allow the evaluation [of Pius] in the correct light,” including “appropriate criticism”.


Hitler's Pope is a book published in 1999 by the British journalist and author John Cornwell that examines the actions of Eugenio Pacelli, who became Pope Pius XII, before and during the Nazi era, and explores the charge that he assisted in the legitimization of Adolf Hitler's Nazi regime in Germany, through the pursuit of a Reichskonkordat in 1933. The book is critical of Pius' conduct during the Second World War, arguing that he did not do enough, or speak out enough, against the Holocaust. Cornwell argues that Pius's entire career as the nuncio to Germany, Cardinal Secretary of State, and Pope, was characterized by a desire to increase and centralize the power of the Papacy, and that he subordinated opposition to the Nazis to that goal. He further argues that Pius was antisemitic and that this stance prevented him from caring about the European Jews.

Various commentators have challenged the book's leading ideas, or challenged factual assertions contained within it. Holocaust historian Martin Gilbert credits Pius XII with various actions which saved Jews, and notes that the Nazi security forces referred to him as the "mouthpiece of the Jewish war criminals". Pius XII maintained links to the German Resistance and in the assessment of historian Frank J. Coppa writing for the Encyclopædia Britannica, Cornwell's depiction of Pius XII as antisemitic lacks "credible substantiation".

The author has been praised for attempting to bring into the open the debate on the Catholic Church's relationship with the Nazis, but also accused of making unsubstantiated claims and ignoring positive evidence. The author has moderated some of his allegations since publication of the book. In 2004, Cornwell stated that Pius XII "had so little scope of action that it is impossible to judge the motives for his silence during the war, while Rome was under the heel of Mussolini and later occupied by Germany. ... But even if his prevarications and silences were performed with the best of intentions, he had an obligation in the postwar period to explain those actions". He similarly stated in 2008 that Pius XII's "scope for action was severely limited", but that "[n]evertheless, due to his ineffectual and diplomatic language in respect of the Nazis and the Jews, I still believe that it was incumbent on him to explain his failure to speak out after the war. This he never did." In 2009 he described Pacelli as effectively a "fellow traveller" of the Nazis.

Cornwell's work was the first to have access to testimonies from Pius's beatification process as well as to many documents from Eugenio Pacelli's nunciature which had just been opened under the seventy-five year rule by the Vatican State Secretary archives. Cornwell's work has received both praise and criticism. Eamon Duffy wrote that Cornwell's "gripping and impassioned account" had presented "an indictment that [could not] be ignored" and Saul Friedländer that Cornwell had demonstrated how "Pius XII brought the authoritarianism and the centralization of his predecessors to their most extreme stage." Susan Zuccotti's Under His Very Windows: The Vatican and the Holocaust in Italy (2000) and Michael Phayer's The Catholic Church and the Holocaust, 1930–1965 (2000) are critical of both Cornwell and Pius XII. Ronald J. Rychlak's Hitler, the War and the Pope is critical as well but defends Pius XII in light of his own access to recent documents.

Cornwell researched the conduct of Pacelli, both while he served as nuncio to Germany and after he was made Pope; some of Cornwell's principal resources were the Vatican archives. Cornwell stated that he reassured the archivists he was on the side of the pope as the God's representative on earth and, acting in good faith, he had "generous access to unseen material". He concluded that:

Near the end of my research I found myself in a state I can only describe as moral shock. The material I had gathered, taking the more extensive view of Pacelli's life, amounted not to an exoneration but to a wider indictment. Spanning Pacelli's career from the beginning of the century, my research told the story of a bid for unprecedented papal power that by 1933 had drawn the Catholic Church into complicity with the darkest forces of the era. I found evidence, moreover, that from an early stage in his career Pacelli betrayed an undeniable antipathy toward the Jews, and that his diplomacy in Germany in the 1930s had resulted in the betrayal of Catholic political associations that might have challenged Hitler's regime and thwarted the Final Solution. Eugenio Pacelli was no monster; his case is far more complex, more tragic, than that. The interest of his story depends on a fatal combination of high spiritual aspirations in conflict with soaring ambition for power and control. His is not a portrait of evil but of fatal moral dislocation-a separation of authority from Christian love. The consequences of that rupture were collusion with tyranny and, ultimately, violence.

Cornwell alleged that, from at least his early '40s onward, Pacelli had antisemitic tendencies. He traced the earliest manifestation of these antisemitic tendencies to an incident in 1917 in which Pacelli refused to help facilitate the exportation of palm fronds from Italy to be used by German Jews in Munich to celebrate the festival of Tabernacles. Cornwell argued that, although this incident was "small in itself", it "belies subsequent claims that Pacelli had a great love of the Jewish religion and was always motivated by its best interests."

Cornwell stated he uncovered a "time bomb" letter signed and personally annotated by Pacelli that had been lying in the Vatican archives since 1919, regarding the actions of communist revolutionaries in Munich. Regarding this letter, Cornwell stated "The repeated references to the Jewishness of these individuals, amid the catalogue of epithets describing their physical and moral repulsiveness, gives an impression of stereotypical anti-Semitic contempt". Cornwell asserts that the letter from Pacelli to Pietro Gaspam [sic Gaparri ] portrays Jews in an unfavorable light and associates them with the Bolshevik revolution.

In the assessment of Frank J. Coppa, writing for Encyclopædia Britannica, Cornwell's depiction of Pacelli as antisemitic lacks "credible substantiation". Coppa writes: "though Pius's wartime public condemnations of racism and genocide were cloaked in generalities, he did not turn a blind eye to the suffering but chose to use diplomacy to aid the persecuted. It is impossible to know if a more forthright condemnation of the Holocaust would have proved more effective in saving lives, though it probably would have better assured his reputation."

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