SUNDAY BOOK
REVIEW
Without a Trace
‘The Sixth Extinction’ , by Elizabeth Kolbert
By AL GORE / FEB. 10, 2014
/ http://www.nytimes.com/2014/02/16/books/review/the-sixth-extinction-by-elizabeth-kolbert.html?_r=0
Over the
past decade, Elizabeth Kolbert has established herself as one of our very best
science writers. She has developed a distinctive and eloquent voice of
conscience on issues arising from the extraordinary assault on the ecosphere,
and those who have enjoyed her previous works like “Field Notes From a
Catastrophe” will not be disappointed by her powerful new book, “The Sixth
Extinction: An Unnatural History.”
Kolbert, a
staff writer at The New Yorker, reports from the front lines of the violent
collision between civilization and our planet’s ecosystem: the Andes, the
Amazon rain forest, the Great Barrier Reef —
and her backyard. In lucid prose, she examines the role of man-made climate
change in causing what biologists call the sixth mass extinction — the current
spasm of plant and animal loss that threatens to eliminate 20 to 50 percent of
all living species on earth within this century.
Extinction
is a relatively new idea in the scientific community. Well into the 18th
century, people found it impossible to accept the idea that species had once
lived on earth but had been subsequently lost. Scientists simply could not
envision a planetary force powerful enough to wipe out forms of life that were
common in prior ages.
In the same
way, and for many of the same reasons, many today find it inconceivable that we
could possibly be responsible for destroying the integrity of our planet’s
ecology. There are psychological barriers to even imagining that what we love
so much could be lost — could be destroyed forever. As a result, many of us
refuse to contemplate it. Like an audience entertained by a magician, we allow
ourselves to be deceived by those with a stake in persuading us to ignore
reality.
For
example, we continue to use the world’s atmosphere as an open sewer for the
daily dumping of more than 90 million tons of gaseous waste. If trends
continue, the global temperature will keep rising, triggering “world-altering
events,” Kolbert writes. According to a conservative and unchallenged
calculation by the climatologist James Hansen, the man-made pollution already
in the atmosphere traps as much extra heat energy every 24 hours as would be
released by the explosion of 400,000 Hiroshima-class nuclear bombs. The
resulting rapid warming of both the atmosphere and the ocean, which Kolbert
notes has absorbed about one-third of the carbon dioxide we have produced, is
wreaking havoc on earth’s delicately balanced ecosystems. It threatens both the
web of living species with which we share the planet and the future viability
of civilization. “By disrupting these systems,” Kolbert writes, “we’re putting
our own survival in danger.”
The earth’s
water cycle is being dangerously disturbed, as warmer oceans evaporate more
water vapor into the air. Warmer air holds more moisture (there has been an
astonishing 4 percent increase in global humidity in just the last 30 years)
and funnels it toward landmasses, where it is released in much larger
downpours, causing larger and more frequent floods and mudslides.
The extra
heat is also absorbed in the top layer of the seas, which makes ocean-based
storms more destructive. Just before Hurricane Sandy, the area of the Atlantic
immediately windward from New York City and New Jersey was up to
nine degrees warmer than normal. And just before Typhoon Haiyan hit the Philippines ,
the area of the Pacific from which it drew its energy was about 5.4 degrees
above average.
Our oceans,
a crucial food source for billions, have become not only warmer but also more
acidic than they have been in millions of years. They struggle to absorb excess
heat and carbon pollution — which is why, as Kolbert points out, coral reefs
might be the first entire ecosystem to go extinct in the modern era.
The same
extra heat pulls moisture from soil in drought-prone regions, causing deeper
and longer-lasting droughts. The drying of trees and other vegetation leads
also to an increase in the frequency and average size of fires.
Food crops
are threatened not only by more pests and the disruption of long-predictable
rainy season-dry season patterns, but also by the growing impact of heat stress
itself on corn, wheat, rice and other staples.
Earth’s
ice-covered regions are melting. The vanishing of the Arctic ice cap is
changing the heat absorption at the top of the world, and may be affecting the
location of the Northern Hemisphere jet stream and storm tracks and slowing
down the movement of storm systems. Meanwhile, the growing loss of ice in
Antarctica and Greenland is accelerating sea
level rise and threatening low-lying coastal cities and regions.
Viruses,
bacteria, disease-carrying species like mosquitoes and ticks, and pest species
like bark beetles are now being pushed far beyond their native ranges.
Everywhere the intricate interconnections crucial to sustaining life are
increasingly being pulled apart.
This is the
world we’ve made. And in her timely, meticulously researched and well-written
book, Kolbert combines scientific analysis and personal narratives to explain
it to us. The result is a clear and comprehensive history of earth’s previous
mass extinctions — and the species we’ve lost — and an engaging description of
the extraordinarily complex nature of life. Most important, Kolbert delivers a
compelling call to action. “Right now,” she writes, “we are deciding, without
quite meaning to, which evolutionary pathways will remain open and which will
forever be closed. No other creature has ever managed this, and it will,
unfortunately, be our most enduring legacy.”
Kolbert
expertly traces the “twisting” intellectual history of how we’ve come to
understand the concept of extinction, and more recently, how we’ve come to
recognize our role in it. When mastodon bones were first studied, in 1739, many
scientists reasoned that the large and unique bones belonged to an elephant or
hippopotamus. But in 1796, the French naturalist Georges Cuvier presented
evidence of an entirely new theory: The bones belonged to a lost species from
“a world previous to ours.” Cuvier collected and studied as many fossils as he
could, eventually identifying dozens of extinct species, and over the next
several decades, with the contributions of Charles Lyell and Charles Darwin,
extinction evolved as a scientific concept.
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Since the
origin of life on earth 3.8 billion years ago, our planet has experienced five
mass extinction events. The last of these events occurred some 66 million years
ago when a six-mile-wide asteroid is thought to have collided with earth,
wiping out the dinosaurs. The Cretaceous extinction event dramatically changed
the composition of biodiversity on the planet: Marine ecosystems essentially
collapsed, and about 75 percent of all plant and animal species disappeared.
Today,
Kolbert writes, we are witnessing a similar mass extinction event happening in
the geologic blink of an eye. According to E. O. Wilson, the present extinction
rate in the tropics is “on the order of 10,000 times greater than the naturally
occurring background extinction rate” and will reduce biological diversity to
its lowest level since the last great extinction.
This time,
however, a giant asteroid isn’t to blame — we are, by altering environmental
conditions on our planet so swiftly and dramatically that a large proportion of
other species cannot adapt. And we are risking our own future as well, by
fundamentally altering the integrity of the climate balance that has persisted
in more or less the same configuration since the end of the last ice age, and
which has fostered the flourishing of human civilization.
As early as
the 1840s, scientists noticed large gaps in the fossil record — time periods in
which earth’s biodiversity declined rapidly and could not be explained by a
static system. Some scientists theorized that abrupt climate changes had caused
past mass extinction events. But in the modern era, three factors have combined
to radically disrupt the relationship between civilization and the earth’s
ecosystem: the unparalleled surge in human population that has quadrupled our
numbers in less than a hundred years; the development of powerful new
technologies that magnify the per capita impact of all seven billion of us,
soon to be nine billion or more; and the emergence of a hegemonic ideology that
exalts short-term thinking and ignores the true long-term cost and consequences
of the choices we’re making in industry, energy policy, agriculture, forestry
and politics.
“People
change the world,” Kolbert writes, and she vividly presents the science and
history of the current crisis. Her extensive travels in researching this book,
and her insightful treatment of both the history and the science all combine to
make “The Sixth Extinction” an invaluable contribution to our understanding of
present circumstances, just as the paradigm shift she calls for is sorely
needed.
Despite the
evidence that humanity is driving mass extinctions, we have been woefully slow
to adopt the necessary measures to solve this global environmental challenge.
Our response to the mass extinction — as well as to the climate crisis — is
still controlled by a hopelessly outdated view of our relationship to our
environment.
Fortunately,
history is full of examples of our capacity to overcome even the most difficult
challenges whenever a controversy is finally resolved into a choice between
what is clearly right and what is clearly wrong. The anomalies Kolbert
identifies are too glaring to ignore. She makes an irrefutable case that what
we are doing to cause a sixth mass extinction is clearly wrong. And she makes
it clear that doing what is right means accelerating our transition to a more
sustainable world.
THE SIXTH
EXTINCTION
An
Unnatural History
By
Elizabeth Kolbert
Illustrated.
319 pp. Henry Holt & Company. $28.
The Sixth Extinction: An
Unnatural History by Elizabeth Kolbert, review
The havoc humans have wreaked
on our fellow species may be our undoing
By Philip
Hoare6:00PM GMT 11 Mar 2014 / http://www.telegraph.co.uk/culture/books/bookreviews/10677720/The-Sixth-Extinction-An-Unnatural-History-by-Elizabeth-Kolbert-review.html
In the
aftermath of the recent storms that have done so much to reshape the soft coast
of southern England ,
I found a dead guillemot on the beach. It had died, like hundreds of others,
from a combination of exhaustion, hunger and the unseen effects of pollution.
As it lay there in the shingle, with its plump white belly and black back,
stubby wings and leathery webbed feet, it resembled a northern penguin; an
exotic bit of flotsam washed ashore from some far ocean, rather than the English Channel .
In one of
the most affecting chapters in her remarkable book, American journalist
Elizabeth Kolbert brings us face to face with the guillemot’s long lost
relative: the great auk. During its brief acquaintance with humans – from the
16th century to the mid 19th – the auk, the original “penguin”, was so numerous
that large flocks thronged entire outcrops of Iceland
and Newfoundland .
These
flightless birds, like the dodos, were ready for the taking, providing meat and
mattress stuffing. “You do not give yourself the trouble of killing them,”
reported an English sailor, “but lay hold of one and pluck the best… You then
turn the poor penguin adrift, with his skin half naked and torn off, to perish
at his leisure.”
The last
hapless auk perished one June evening in 1844, strangled by Icelandic hunters.
It joined a long line of animals driven to extinction by man, a line that is
getting longer than the queue for a secret concert by Prince. By the latest
estimation, one third of reef corals, one third of freshwater molluscs, one
third of sharks and rays, a fifth of all reptiles, a quarter of all mammals and
a sixth of all birds will go the way of the auk this century.
Oddly
enough, extinction is a relatively new concept as far as humans are concerned –
contemporaneous, ironically, with the Industrial Revolution that triggered our
current period of global warming. It wasn’t until the 1790s that the French
naturalist Georges Cuvier began to consider the provenance of fossilised
megafaunas, wondering why these large beasts no longer stalked the Earth. By
1800, Cuvier had assembled a “fossil zoo” of 23 species that had existed in “a
world previous to ours”.
Such
evidence of mass extinction was slow to find supporters. Even Darwin was equivocal: “As we do not see the
cause, we invoke cataclysms to desolate the world!” It wasn’t until the 1970s,
when an American geologist, Walter Alvarez, found a narrow clay layer in the
strata of an Italian hilltop, that the cause of the last great extinction was
confirmed: a giant asteroid ended the Cretaceous period – and killed three
quarters of all known species.
“The worst
day ever on planet Earth” also gave us our evolutionary chance. “The reason
this book is being written by a hairy biped, rather than a scaly one, has more
to do with dinosaurian misfortune than with any particular mammalian virtue.”
Now, in our
new era of the Anthropocene, we apes have used our skills to wreak havoc,
despite the fact that our “great works” will be reduced to a future sedimentary
layer the thickness of a cigarette paper.
Kolbert is
a witty, deft writer with an eye for vivid colour. She takes us from
sun-blistered desert islands on the Great Barrier Reef
to the sopping Peruvian jungle, where she joins her guides chewing coca leaves
to sustain her Andean trudge. But her most urgent warning is about the
condition of our oceans.
Since the
advent of the Industrial Revolution, the carbon dioxide absorbed by the sea has
increased by 30 per cent. The specific result of this is to prevent calcifiers
– animals from corals to bivalves, and even some plants – from forming their
structures, with disastrous effects for the marine food chain. The acidifying
oceans mean that all coral reefs – which support up to nine million other
species – will have dissolved within 50 years. Does that matter? It depends on
what value you place on our world.
Natural
history – from moas to the great whales, from Neanderthals to Hawaiian crows –
bears witness to our voracious dominion, and shows how we have sowed the seeds
of our own destruction. Kolbert concludes with a quote from the ecologist Paul
Ehrlich: “In pushing other species to extinction, humanity is busy sawing off
the limb on which it perches.” Hers is a deadly message, delivered in elegant
prose, and we can’t afford to ignore it.
A era do Homem e
as suas consequências, na sexta extinção
O livro A Sexta
Extinção é um guia detalhado da ação do Homem sobre o meio ambiente e as suas
consequências. O cenário não é catastrófico, mas anda lá muito perto.
DIOGO QUEIROZ DE ANDRADE / 6-7-2014 /
OBSERVADOR
As épocas
geológicas definem a idade da terra, exatamente do mesmo modo como a infância,
a adolescência ou a velhice definem a idade aproximada — e as características —
de um ser humano. A principal premissa do livro A Sexta Extinção é que hoje
vivemos numa nova era geológica, o Antropoceno, que se define pela alteração
das condições de toda a biosfera pelos seres humanos. Para justificar a
alteração radical do planeta, a autora Elizabeth Kolbert junta dois eventos
aparentemente independentes entre si: as consequências da introdução de
espécies invasoras em climas impreparados; e as alterações climáticas
provocadas pela era industrial, que estão a ter impactos relevantes (e
catastróficos) nos oceanos, nas florestas,
nos pólos e em toda a biodiversidade.
E é assim que
Kolbert junta os pontos de um cenário trágico, em que a ação do homem é sentida
ao ritmo avassalador em que as espécies estão a desaparecer. Por vezes é
catastrofista, como quando espalha a ideia de que os ratos irão dominar o
planeta (p.142), mas a maioria das vezes mantém o rigor científico, até porque
o cenário que se apresenta é verdadeiramente dantesco — de que é bom exemplo a
situação dos corais (p. 180). O livro mantém um registo de educação científica,
conseguindo manter momentos de bom humor: Ao justificar porque não foram os
anfíbios a herdar o planeta (p. 123), Kolbert explica que a “razão pela qual
este livro está a ser escrito por uma bípede cabeluda, em vez de uma escamosa,
tem mais a ver com a sorte dos dinossauros do que qualquer virtude particular
dos mamíferos.”
Não por acaso, o
termo “antropoceno” é da autoria de Paul Crutzen, um dos vencedores do Nobel
concedido ao estudo dos efeitos da destruição da camada de ozono. Há vários
exemplos das consequências das alterações climáticas no trabalho dos cientistas
que são apresentados no livro, mas este vai mais longe, abordado também
questões como a extinção das espécies (um termo desconhecido até ao século
XVIII) e a discussão sobre a seleção natural darwinista.
Elizabeth Kolbert
é uma jornalista norte-americana que esteve quinze anos no New York Times e
está desde 1999 na New Yorker, tendo aproveitado algumas das viagens que fez
para reunir material para este livro. E a obra é um caleidoscópio de esforços
de conservação de habitats e espécies um pouco por todo o mundo. Começa no
Panamá, onde uma estranha epidemia está a ceifar os sapos dourados, terminando
em San Diego onde se tenta manter viva uma espécie de corvos havaianos que já
só existe em cativeiro — pelo meio passa-se por uma pequena ilha na islândia
que foi o último reduto do arau-gigante, pelo mar Tirreno onde se estuda a
acidificação dos oceanos, por Albany onde os morcegos estão quase extintos e
por Leipzig, onde se estuda a extinção do homem neardenthal às mãos do homo
sapiens.
E é nesses
relatos que fica óbvio o paradoxo assumido deste livro: nele mostra-se a ação
criminosa do homem, através do esforço de conservação envidado pelo próprio
homem. O que quer dizer que o livro se ocupa em apresentar um cenário
catastrofista, assumindo que muitas das alterações efectuadas no Antropoceno
são já inevitáveis, mas ao mesmo tempo dá margem para alguma esperança graças
ao esforço de investigação e conservação feito pela comunidade científica. E a
esperança mais relevante talvez venha mesmo de um conceito brilhante que é
apresentado ao de leve no livro (p. 335): a eventual existência no ser humano
de um gene fáustico, um gene criativo e artístico que tenha permitido a
evolução do homem de neanderthal para o humano moderno. Talvez essa
criatividade permita minorar o cenário catastrofista da sexta extinção.
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