Paris
Olympics organisers apologise to Christians for Last Supper parody
Apology
follows anger among Catholics and other groups at opening ceremony segment that
resembled biblical scene
Angela
Giuffrida in Rome and agencies
Sun 28 Jul
2024 14.08 BST
The
organising committee of Paris 2024 has apologised to Catholics and other
Christian groups who were outraged by a scene during the opening ceremony that
evoked Leonardo da Vinci’s The Last Supper painting with drag queens, a
transgender model and a singer made up as the Greek god of wine.
The parody
of the biblical scene, performed against the backdrop of the River Seine, was
intended to interpret Dionysus and raise awareness “of the absurdity of
violence between human beings”, organisers wrote on X.
The
committee was forced to apologise after the performance caused outrage among
Catholics, Christian groups and conservative politicians around the world.
“Clearly
there was never an intention to show disrespect to any religious group. [The
opening ceremony] tried to celebrate community tolerance,” the Paris 2024
spokesperson Anne Descamps told a press conference. “We believe this ambition
was achieved. If people have taken any offence we are really sorry.”
France has a
rich Catholic heritage but also has a long tradition of secularism and
anti-clericalism. Blasphemy is legal and considered by many to be an essential
pillar of freedom of speech. Supporters of the tableau praised its message of
inclusivity and tolerance.
The Catholic
church in France said it deplored a ceremony that “included scenes of derision
and mockery of Christianity”.
Monsignor
Emmanuel Gobilliard, a delegate of the bishops of France for the Games, said
some French athletes had had trouble sleeping because of the fallout from the
controversy.
Archbishop
Charles Scicluna, the highest-ranking Catholic official in Malta and an
official for the Vatican’s powerful doctrinal office, said he had contacted
France’s ambassador to Valletta to complain about the “gratuitous insult”.
The Italian
bishops’ conference said that what should have been a celebration of French
culture took an “unexpectedly negative turn, becoming a parade of banal errors,
accompanied by trite and predictable ideologies”.
An article
in Avvenire, the daily Italian newspaper affiliated with the Catholic church,
said: “Don’t take us for moralistic bigots, but what’s the point of having to
experience every single global event, even a sporting one, as if it were a Gay
Pride?”
Matteo
Salvini, the leader of the far-right League, a party in Giorgia Meloni’s
coalition government, described the segment as “squalid”. “Opening the Olympics
by insulting billions of Christians around the world was a really bad start,
dear French,” he added.
The
Hungarian prime minister, Viktor Orbán, spoke of the “moral void of the west”.
Some
commentators said the controversy was another example of 21st-century culture
wars turbocharged by a 24-hour news cycle and social media.
Thomas
Jolly, the artistic director behind the flamboyant opening ceremony, said
religious subversion had never been his intention. “We wanted to talk about
diversity. Diversity means being together. We wanted to include everyone, as
simple as that,” he said on Saturday.
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