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The ancient theatre at Sabratha, one of the
sites under threat from
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The Ancient Sites Now Under Threat From ISIS in Libya
BY JACK MOORE / MARCH 4, 2015 7:24 AM EST /
http://www.newsweek.com/2015/03/13/rise-isis-threatens-libyas-classical-archaeology-sites-311038.html
Armed with sledgehammers, chisels and a
video camera, ISIS militants took their propaganda campaign to Mosul museum last month, destroying statues
and artifacts, dating back to the ancient Assyrian and Akkadian empires, and
posting the results online and in slow motion.
The terror group’s impetuous destruction of
statues and artefacts in Iraq ’s
second city, which it has controlled since its march across the Sunni-majority
northern regions of Iraq
last summer, has caused dismay within the archaeological community.
While many believe that the group attacks
or loot antiquities for mere shock value or financial gain, ISIS holds an
intolerance towards items that are deemed jahili (pre-Islamic) and antiquities
that depict humans, such as Roman statues or mosaics, according to Dr Hafed
Walda, the pending deputy ambassador to the permanent Libyan delegation at
Unesco.
“There are threats to destroy statues,
specifically from museums, because for them any antiquity that represents a
human being should be destroyed,” he says. “Their eyes are on big museums which
have fine collections of Greek and Roman sculptures. This is where they are
focusing at the moment.”
Notable archaeologists and experts have
raised their concerns about the threat presented by the wanton vandalism of
cultural treasures that is coming to define the group and its growth in other
countries of cultural importance, particularly the increasingly lawless
coastline of Libya ,
where a number of historic Roman sites are situated.
Because of ISIS’s “criminal vandalism” in
Mosul, Paul Bennett, the head of mission at the UK-based Society for Libyan
Studies, wrote to Unesco’s director-general Irina Bokova, of his “extreme
concerns for the antiquities of Libya” because of the very real threat of
similar attacks by the terror group in the country.
The group now controls the north-eastern
coastal town of Derna, and holds a presence in a number of vital towns and
cities, including Tripoli, where it claimed responsibility for an attack on the
Corinthia hotel in January that killed nine people; Benghazi, where it is
battling the Operation Dignity forces of former Libyan general Khalifa Haftar
alongside other jihadi factions, such as Ansar al-Sharia; and Sirte, where it
has captured the main university and is believed to have carried out the
execution of 21 Egyptian Coptic Christians on the shores of the Mediterranean
last month.
Lining the coast are a number of
irreplaceable Unesco World Heritage Sites that are now endangered by the
growing strength of ISIS . One of the sites, Leptis Magna , is situated 130km east of the capital, Tripoli , and 100km west
of the country’s third city, Misrata, which Libyan ISIS militants have
proclaimed to be one of the group’s prime targets. Here, the great Roman
Emperor Septimius Severus built a forum, an improved harbour and a great
basilica. There is a museum attached to the site which, like Mosul museum, houses invaluable statues and
would be a likely target for extremists.
Also under threat from Libyan and foreign
jihadis are the western coastal town of Sabratha and the archaeological site of
Cyrene, in the eastern town of Shahat, which had acted as a local Roman
capital. Sabratha, which hosts two important museums which store coins and
mosaics from the Byzantine era and statues from the Roman period, is currently
under control of Islamist Libya Dawn forces, who support the General National
Congress (GNC), a rival to the internationally recognised government in Tobruk.
Cyrene hosts “one of the most impressive
complexes in the entire world”, according to the cultural agency, but now finds
itself sandwiched between the ISIS-controlled town of Derna
and the city of Benghazi , where an ISIS cell is battling for control.
Mohamed Eljarh, Libyan analyst and
non-resident fellow with the Atlantic Council’s Rafik Hariri Centre for the
Middle East, warns that, while extremists have routinely targeted Libya ’s
heritage since 2011, these “significant ancient sites” are at “high risk of
being targeted by the group as part of its propaganda war”. “Given that a huge
part of ISIS’s expansion strategy is their media exposure and propaganda, I
fear that significant ancient sites such as the Roman ruins in Sabratha and Leptis Magna are the two sites with the highest risk of
being targeted by ISIS militants. The group
now has a presence in Sirte and Tripoli .
This puts them in very close proximity to these two important sites of Libyan
heritage.”
The ancient Roman theatre at Leptis Magna , one of the sites under threat from ISIS militants. DAVID GUNN
Issandr El Amrani, director for
International Crisis Group’s North Africa Programme, is pessimistic about the
prospects of securing the “completely unprotected” sites. “ISIS is driven to a
large extent by doing things that have a propaganda value more than a practical
military value so, yes, they could be tempted to [attack the sites], to create
the narrative that they are fighting anything that is jahili (pre-Islamic),”
says Amrani.
As the North African country continues its
slide into chaos, becoming a magnet for foreign fighters, and an embryonic
extension of ISIS’s caliphate, there seems to be little hope for Libya ’s
cultural legacy. UN-brokered talks between the two rival factions in the
country have collapsed and the international community continues to refuse a
lifting of a UN arms embargo on the country in order to allow the recognised
government to tackle jihadi groups.
In the aftermath of the Mosul attack,
Unesco director general Irina Bokova told a press conference that the UN’s
cultural body “does not have an army” and “there is not much we can do” to
prevent the looting and damage of antiquities in war-torn areas. But, for Libya , Dr Walda
disagrees with Bokova, proposing tough security measures as a solution to
protect his country’s rich history. “We have to fortify the museums,” he says.




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